Monthly Archive for February, 2004

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After

Well, I’ve seen The Movie now… and I can certifiably say that I was moved and provoked and pushed in ways by this picture that cannot match many events of my life in recent memory. It hasn’t even computed all the way yet, and I realize that I need to see it again, but I don’t know how soon that will be.

I had the curious fortune of seeing two films distributed by Newmarket Films in the same day, and both on very different ends of the content spectrum. The fist one, Monster, starring Charlize Theron in her Oscar-nominated role as a hooker/lesbian/serial killer, the the second the aforementioned Passion of the Christ, starring Jim Caviezel in a absolutely gut-wrenching role. He did Christ, and he did Christ with reverence, with compassion, with awe, with love, with agony and suffering of his own in the filming. He dislocated his shoulder, was struck by lightning twice, and endured 12-hour-long makeup sessions for this film. The Passion is fully about the indeifinable suffering of Jesus and secondly about the unwavering passion of the film makers involved with the picture. Whereas Monster is about the tragedy of human life and our fallen nature, Passion is about the tragedy of human life and our fallen nature, completely erased and along with all things “made new” by Christ’s sacrifice. Charlize Theron’s character, Aileen, narrates portions of her story, a slow descent into madness and delusion fueled by a misguided and inflamed desire to grab hold of something-anything that can be construed as love (even if it is with Christina Ricci’s character Selby) and do anything and everything, regardless of morality or reality or truth, to hold onto that ‘love’. Christ gave His love freely to us, even when we turned it on him and cried out for his death. Our hands nailed Him to the cross, and His blood is on us, forever… thank God that is a good thing. At one point in Monster, Aileen sits down to explain to Selby just why she has begun to lure men off the highway to kill them and take their money and cars. She explains that people are by nature sick and depraved, and that no matter what they do they can’t take away her stab at happiness. “I’m square with the Lord” she says, “People are always talking about ‘thou shalt not kill’…” and she goes on to attempt to justify her killings “You don’t know my life Selby”. Aileen descends so far into her killing spree madness that it becomes a second nature to her. Her rants are challenged consistently onward in the film, a man picks her up off the highway and offers to get her a room somewhere, help her out in some way, and he doesn’t want anything in return. He is a good man, another face of evil to Aileen. He is innocent, and she cannot handle the thought of having no real justification for her lifestyle, and she kills him. Christ is the most innocent of all men… he was God incarnate. He suffers the ultimate and dies in a cruel way… but the manner in which he dies is unlike any other deah in recorded human history. He rises again. Nobody that Aileen kills ever comes back from the grave. But Selby’s adoptive older friend who is a Christian attempts to convince her to cut ties with Aileen “People make choices, and they have to deal with the consequences of those choices…”, “No”, Selby contends, “This is who I am, not a choice I make” but it is a choice. And Aileen’s chances for true redemption are there… hard to see, but they’re there. But she is clinging to a love that is not real, an unrequited obsession. Monster is based on a true story and ends with Aileen’s execution, she was the most notorious female serial killer in America. The Passion ends with Christ’s giving up of his spirit at the place of the skull, Golgotha. Aileen goes out on a bitter note, scoffing at any and all notions of true happiness or love… she is shattered and unrepentant. Too bad. Because in a graveyard of thieves, on a dry and dusty summit outside of Jerusalem, the son of man gave up his spirit and spoke “Father Father, why have you forsaken me?”… Three days later the stone rolled away, the linens lay there alone, and the body was gone. We all make choices, and Jesus is there offering us the only choice we’ll ever really need to make.

I must post more on this later, I’m late for class!

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Before

I have not yet seen The Passion of the Christ, but I fully intend to see it tomorrow night at 10pm in the Woodland Small. I’m not sure how soon after viewing it that I will be able to blog about it, but I’ve read already too many reviews and message boards and heard too many stories already from people who have seen it. I’m going to put in headphones and go to bed and forget that this movie exists until I walk into the theater tomorrow night.

Goodnight… until the next post.

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Sunday Bloody Sunday

So Holly, resident of Kelly’s Island, had a Grand day the
other day, getting did up about kelp, and of course that
means it’s time for ole Holly to get lichens! Just some bun
cheek. It’s Filling. I just got out of the intestine of all
sicknesses 2 months ago and have managed to grab stuff since
then (I assume because of built up feathers).

BUT I’m slurping my Tree! And I’m ugly at the prospect of
not Dying in these classes. Well, Masturbation is easier
than Real Analysis.

Tess and I are so anxious to get this grinding moss
finished. It’s taken so long, and mainly because there’s not
enough Hats to sit down and help it out. This weekend…

Shiva, Platypus, Monkey wrech, and voles are calling, all at
once. Unfortunately ring will have to come last. Unless I
try the “gastronomic” approach, which may or may not be
spongy.

I finally finished up Mike’s crayzee Mad Lib. And I managed to see a few movies in the recent days leading up to this post.

Love Actually:
lead acting: 7/10
supporting acting: 7/10
story: 7/10
directing: 7/10
production design/value: 5/10
overall score: 6.6

American Splendor:
lead acting: 9/10
supporting acting: 9/10
story: 9/10
directing: 9/10
production design/value: 9/10
overall score: 9.0

And I deem that I have witnessed enough of the dried up feel-good movie Radio to give it a rating:

Radio:
lead acting: 7/10
supporting acting: 5/10
story: 5/10
directing: 6/10
production design/value: 6/10
overall score: 5.8

Love Actually was a pretty decent film, except that there were entirely too many stories to keep track of in one movie. Some of the stories get some screen time in the first half hour, disppear for a whole hour maybe more, only to turn up for a few minutes at the end of the film. Now, I’m not knocking the film at all; after all, it did have plenty of nudity to make up for the other shortfalls it had. :) Actually the nudity was rather shocking and disturbing and all in all the film was very dirty. All of the separate stories were about love of course, but not all of them had very ‘happy’ or ‘fulfilling’ endings. Which, was cool, but Tess pointed out to me that the movie could have been illustrating the types of love that there are. In any case, I want to go to the store and buy five copies of the film right now!

American Splendor was offbeat, creative, sardonic, funny, touching, smart, impeccably acted, skillfully wrought, and forged in the fires of mount doom. I enjoyed this film quite a bit. It was solid, just about everything in it was a near flawless execution, and the casting was really awesome. Paul Giamatti was sorely overlooked for his amazing performance, though it was nice to know that Hope Davis got nominated for the Golden Globe. And, if nobody yet knows, AS won the WGA award for best original screenplay.

Radio wasn’t stupid, wasn’t bad, wasn’t awful or horrible and terrible and stanky and worthless and boring and nasty. It was just plain and kind of blah, and sought to jerk your tears all of the stinking time. I didn’t have a problem with the subject matter, but it could have been done better. The story takes place and rolls on without really too much impetous, things happen without apparent reason except that you as the audience would most likely enjoy to see what happens.

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Later ‘yo.